2013

Black milk

23rd Festival of Contemporary European Theatre 05 – 10 November 2013

Theatre and dance from old and new Europe Under the patronage of Burkhard Jung – Mayor of the City of Leipzig

Festival-Director: Ann-Elisabeth Wolff

Programme 2013

Tanz aus Prag (Dance from Prague)

The independent Czech dance scene is rich and aesthetically diverse. Two interesting and quite different examples are presented here.

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Die Wahrheit über Monte Verità (The truth about Monte Verità)

Constanza Macras, one of Germany's best-known choreographers, explores the tension between ecology and economy in her performance.

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Le sacre du printemps (The Rite of Spring)

Three different readings of the most important ballet of the 20th century on the occasion of its premiere 100 years ago in Paris: by David Wampach, Montpellier (as duo), Tero Saarinen, Helsinki (as solo) and Georges Momboye, Paris (with 12 dancers).

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Die Räder im Getriebe (the wheels in motion)

Stage technology - a secret. Stage technology - invisible to most of the audience. You only see the stage set in the performances, you hear music, you see lighting effects. The performance takes an hour and a half, the technical setup from unloading the stage set to the start of the performance often takes two days.

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Prinzip Hoffnung (Principle of hope)

Understanding beyond all prejudices and ethnic clichés, an unconditional togetherness - that is the wish of most artists inside and outside the European Union. The countries on the periphery also belong to Europe, because many of their cultural roots lie here, and all differences are an enrichment of the European community.

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El ángel exterminador (The Exterminating Angel)

This surreal parable is about an evening party whose visitors cannot leave the room for inexplicable reasons. Days pass, people become nervous and hysterical. Food and water run out.

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Totschweigen (Silencing)

Rechnitz is the name of a small town on the Austrian-Hungarian border. It became a metaphor for Austria's careless handling of its National Socialist past.

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Le sacre du printemps (The Rite of Spring)

A work of the century in four groundbreaking choreographies: Vaslav Nijinsky's original was considered lost until it could be reconstructed in 1987. Exactly 100 years later, Sasha Waltz from Berlin followed suit. Dietmar Seyffert, chief choreographer and artistic director of the Leipzig Ballet from 1978-88, created his »Sacre« in 1981, and finally Pina Bausch with one of the best choreographies of the approximately 300 versions that now exist.

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1913 – Dance on the Volcano

1913 is the last peaceful year before the First World War. But many artists already foresee in their works the dark times that lie ahead for Europe. And Igor Stravinsky creates a revolutionary sound image of that time with »Le sacre du printemps« (»The Rite of Spring«), which turns into a scandal at its premiere on May 29, 1913.

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La curva (The curve)

Flamenco far from any clichés. The outstanding dancer Israel Galván reduced to the essential and created a masterpiece with Sylvie Courvoisier (piano), Inés Bacán (vocals) and Bobote (rhythmic accompaniment).

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Das beste deutsche Tanzsolo (The best german dance solo)

20 solos of five minutes on the legendary round table. All boundaries between artists and audience, professionals and non-professionals are removed. Three jury prizes and one audience prize will be awarded.

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Melnais piens (Black Milk)

Idyll and closeness to nature once defined rural life in Latvia. Now the villages stand empty. The well-known director Alvis Hermanis and his six actors created a highly symbolic play about the disappearance of identity.

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The old King

A man resists all the obstacles that beset him. A mystical solo by Miguel Moreira with the Portuguese dancer Romeo Runa, who has participated several times in pieces with Alain Platel.

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DeSacre!

The art action of the women's punk band Pussy Riot in Moscow in 2012 was just as disturbing as the ballet "Le sacre du printemps" in Paris in 1913. Christine Gaigg's unusual dance performance couples both events.

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Il giardino di Gaia (Gaias garden)

Gaia and Aprile, guardians of an idyllic garden, lead the little guests on a poetic journey through the four seasons. With music, language and song.

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Forecasting

A woman in dialogue with her computer as a window to the world. Cheerful and serious performance about the future, the media world and the danger of losing history.

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